Go on a shopping spree through our
Opting for orange? Beguiled by blue? Gravitating towards grey? Flip through our Color Stories to see how we make sense of color.
The core of this large collection is a group of five Indoor + Outdoor fabrics, designed in a collaboration between the POLLACK Studio and the acclaimed UK design company A Rum Fellow, where partners Caroline Lindsell and Dylan O’Shea celebrate the heritage of Mayan craft techniques in the hand-woven textiles they bring to market. Our fabrics share the vibrant colors and graphics of these traditional designs, while infusing them with the durability and versatility that our modern lifestyle calls for.
About Our Collections
The POLLACK textile collection has grown over the last 26 years to encompass more than 2500 colorways for upholstery, wallcovering and window fabrics. Design Director Rachel Doriss and the studio designers have created our signature line working with mills throughout the world. We like to work with mills that have unique and fascinating yarns, and a range of capabilities that have not been applied to decorative fabrics before. We look for mills that specialize in particular fibers and finishes, and for those that bring the very detail-oriented approach of apparel fabric manufacturing to the art of weaving fabrics for interiors. Whatever the source, each of our fabrics represents extensive development time, careful production oversight and a commitment to good design. Additionally, the studio strongly believes that design implies utility: if you don’t design fabrics that can really be used, they are badly designed regardless of how beautiful they are.
Our line includes a wide variety of fabric types – velvets with silk, mohair or even acrylic piles, window fabrics with an intriguing mix of layers and complex yarn arrangements, upholstery fabrics using the newest man-made fibers and those with hand-embellished motifs. The range is sophisticated, beautiful, superbly crafted and one that complements all of today’s interiors – from restaurant to reception room, from the airport lounge to the aircraft, from shoe salon to family room to poolside.
The design process starts with one particular element of the fabric, though not necessarily always its pattern – an interesting novelty yarn, a special finishing technique or a complex weave structure that imparts a nuanced quality to the fabric. While the objective is to create textiles that delight the eye and hand, equal regard is given to a consistently high level of quality and performance.